Vatican's 'Climate Change' Light Show - A Deeper Look, Fukushima Update

I don't go to her site as much as I used to, for a variety of reasons, but occasionally Ann Barnhardt just completely nails an issue - such as seen below:

On the Demonic Light Show

LifeSiteNews has some excellent reportage on the digital “artist” who was hired by Bergoglio to do the St. Peter’s lightshow.  Another thing that this culture has been tricked into believing (by perverting the significance of Our Blessed Lord dining with tax collectors and sinners) is that it does not matter who you associate with.  When Our Lord dined with sinners, or spoke with the Woman at the Well, He called them, explicitly, to repentance.  And they did.  People today think they can run with truly evil people and never say a word to them admonishing their sin, telling them about hell, and telling them of the massive importance of repenting and ceasing their sinful ways, and that this is not only morally acceptable, but morally superior – that in running with, doing business with, or associating with genuinely bad people and NOT CONFRONTING THEIR EVIL is the mark of a truly “Christian” soul.

Bearing this all in mind, read the following excerpt on the digital “artist” that FrancisNewChurch freely chose to associate itself with and promote.

“Android” Andrew Jones, the artist behind the image, said at that time that he wanted to depict Mother Earth in her “fiercest form” to draw attention to what might happen if people ignored the implications of climate change.

The Vatican show included artwork and computer-generated designs by Jones, but it is unknown at this time what artwork was featured.

Jones, one of the world’s foremost digital painters and projection artists, specializes in portraying terrifying images of Greek, Roman and Eastern pagan deities. He said in an interviewlast month that he turns to these gods and goddesses by means of “psychedelic substances” (mind altering drugs) so that he can portray them accurately. He said the “deities” are “actively involved” in guiding his hand as he makes the work.

“These [drugs] are tools that grant portals and access into different realms that I still haven’t fully been able to grasp or say that I have uncovered all of their meanings. … They have evolved my ability to … discover new and interesting combinations of energy and matter. Some have … shown me greater nightmares than I could ever depict or wish to imagine ever again.”

“These spirits and the deities that [the images] represent [in India, Greece, etc.] are actively involved, enrolled, and contributing to humans reinventing the visual vernacular of these beings as time and technology evolves,” he said.

Jones said that good art connects the viewer to something “mystical.” He said in a 2010 video interview that a good reaction to his art happens when people “throw up, or urinate themselves, or [release] any sort of bodily excrement.”

Bergoglio used the Feast of the Immaculate Conception to turn the Petrine Basilica into a global stage for a satanist.

‘Sacrilege’: Catholic leaders react to Vatican’s ‘climate change’ light show

Howling, grunting, and roaring animals, along with images of overcrowded city centers, depictions of pollution, and negative portrayals of industrialization, appeared on the facade of St. Peter’s Basilica this evening during a much hyped “climate change” light show.

The show was the finale of the opening celebration for the Year of Mercy declared by Pope Francis. The event was watched by tens of thousands in St. Peter’s Square along with estimated millions worldwide through online streaming.

The multi-million dollar show titled "Fiat Lux: Illuminating Our Common Home" was created and funded by climate-change partisans and population-control advocates with the goal to “educate and inspire change around the climate crisis across generations, cultures, languages, religions and class.” Along with images of the world and its endangered animals, including lions, birds, apes, and whales, appeared New Age symbolism associated with ancient pagan deities.

The show also took place on the most important Marian feast day for Catholics, the Immaculate Conception, where Catholics celebrate Mary being conceived in the womb of her mother Anne without the stain of original sin.

Many pro-family leaders from around the world say they are flabbergasted that the pope would allow St. Peter’s to be used as a backdrop for promoting the controversial and contentious “climate change” agenda.

"I am sorry that the facade of St. Peter's has been turned into a propaganda stage for the scientific fraud known as ‘Catastrophic Man-Caused Global Warming,’” Steven Mosher, president of the Population Research Institute, told LifeSiteNews.

"I am sick at the thought that this most sacred space — St. Peter's Basilica — will be the backdrop for the further dissemination of this fraud, whose ultimate goal is to impose a ‘Carbon Tax’ on the developed countries. This tax will not only cripple global economic growth and undermine democracy, its proceeds will be used to fund even more population control programs in the developing world," he said.

Robert Royal, president of the Washington-based Faith and Reason Institute and a prominent Catholic commentator, called it “seriously wrong” to have a “radical environmental message” projected onto St. Peter’s.

“Projecting onto it a radical environmental message — and one that has no chance of actually resulting in an international agreement, given the unreality of the approach — seems to make the Church just one more international NGO, something Pope Francis has explicitly warned it should not be,” he told LifeSiteNews.

Voice of the Family co-founder John Smeaton said that contrary to popular perception, the “environmental agenda” is tied to an anti-human agenda.

“If the Vatican issued similarly strong and high-profile calls to world governments to end abortion, many lives could be saved. The St. Peter’s light show is a clear demonstration of the tragic truth that this papacy has the wrong priorities,” he told LifeSiteNews.

The event, billed as “contemporary public art,” was sponsored by organizations named after Greek and Roman pagan gods that push the climate change agenda and by an organization that directly funds abortions in developing countries.

Other partners include Vulcan Inc., a private company based out of Seattle, Washington, that “strives to create a new kind of future” by “upend[ing] conventional thinking.” The company was deliberately named after the Roman god Vulcan, the deity of destructive fire, whose earliest known shrine existed in Rome at the foot of the Capitoline Hill, close by the Vatican.

St. Peter’s ‘climate change’ light show and its prototype held in New York last August are bizarrely connected to pagan occultism.

The shows director Travis Threlkel, founder and creative director of Obscura, said in an August interview when discussing the New York version of the show that was projected onto the Empire State Building, that pagan deities were specifically incorporated into the presentation. He said the show included the greek pagan goddess Gaia, a Greek Mother Earth who has been appropriated by worshipers of nature, along with Aya, a Babylonian mother goddess associated with the rising sun and with sexual love.

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